From Micro-Film #5, Summer 2002:
“Flesh Freaks, a no-budget Canadian zombie romp, manages to twist genre expectations while ladling on the requisite blood-soaked body count. [...] While this basic concept has been done before, notably in Fred Dekker’s retro shocker NIGHT OF THE CREEPS (1986), talented director Conall Pendergast and his pals provide their take with just enough zip to make for some refreshing, old-school schlock. Clever use of existing locations, including actual footage from Belize, gives the film a bit more scope than most shot-on-video outings. Moreover, the ever-moving camerawork by G. Gillard Golen, combined with an editing scheme heavy on dramatic digital zoombs and Steve Kado’s creepy, minimalist score, add immensely to the film’s sense of dread. Minor faults do become apparent, such as inconsistent acting and stilted dialogue, while an abundance of travelogue scenery conveniently pads the running ime. As for the freaks themselves … well, realism apparently didn’t figure into the make-up design by Pendergast and Alex Perkins! I’m guessing, however, that the inspiration for their crumbly zombies comes not from the watershed effects of DAWN OF THE DEAD (1979), but the comically stylized pull-over masks used in Mexican monster potboilers like THE BRAINIAC (1961), briefly glimpsed here in a theater scene. They’re still fun creations, to be sure, and so is FLESH FREAKS, an amusing exercise in gusto and grue. Not to Mr. Kado – love the groovy theme music!”
- Jason Pankoke, Micro-Film #5 Summer 2002
